Curators Choice

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Prudence Ainslie – Compressive Force – up

£375.00

Medium: woodcut and archival digital print

Size: 28 x 39cm

Edition of 25

Published 2020

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Craigie Aitchison RA – Sugarbush Wearing Hat

£3,750.00

Medium: Carborundum, etching and collage

Size: 76 x 50cm

Edition of 50

Published 2009

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First glimpse of the Peter Randall-Page exhibition opening this Sunday. Have you booked? ⏏️link in bio. #free #ruleof6 Peter Randall-Page, ‘A little Bit of Infinity’, new small sculpture and drawing  20 September–30 October 2020 #peterrandallpage #britishsculpture #drawing #visitwiltshire #royalacademyofarts
First glimpse of the Peter Randall-Page exhibition opening this Sunday. Have you booked? ⏏️link in bio. #free #ruleof6 Peter Randall-Page, ‘A little Bit of Infinity’, new small sculpture and drawing  20 September–30 October 2020 #peterrandallpage #britishsculpture #drawing #visitwiltshire #royalacademyofarts
Peter Randall-Page A Little Bit of Infinity - OPENS 20 Sept
Peter Randall-Page A Little Bit of Infinity - OPENS 20 Sept "When you are working, subconsciously shaping something, the stone has a tautness and a strength and you know when the note is right.” PRP' @rableygallery #ruleof6 #bookonline #link in bio #britishsculpture #peterrandallpage
Sutherland draws with the lithographic crayon to freely explore new ideas. Printed in pink and black, these studies have a sketchbook quality that is revealing of his process and ideas - it was a radical new way of printmaking that is now an experimental norm. Graham Sutherland Sheet of Studies, Organic Forms, 1967, 66x49.5cm, Lithograph, Edition of 70. New acquisitions by Graham Sutherland with @rableygallery @londonoriginalprintfair - includes lithographs from the 50’s and 60’s. Some are artists’ proofs. All the lithographs are documented in ‘Graham Sutherland, Das Graphische Werk, 1922-1970’, Published 1970 by Wolfgang Letterer, Munchen. #grahamsutherland #lithography #modernbritish #ifpda #collectprints #ownart
Sutherland draws with the lithographic crayon to freely explore new ideas. Printed in pink and black, these studies have a sketchbook quality that is revealing of his process and ideas - it was a radical new way of printmaking that is now an experimental norm. Graham Sutherland Sheet of Studies, Organic Forms, 1967, 66x49.5cm, Lithograph, Edition of 70. New acquisitions by Graham Sutherland with @rableygallery @londonoriginalprintfair - includes lithographs from the 50’s and 60’s. Some are artists’ proofs. All the lithographs are documented in ‘Graham Sutherland, Das Graphische Werk, 1922-1970’, Published 1970 by Wolfgang Letterer, Munchen. #grahamsutherland #lithography #modernbritish #ifpda #collectprints #ownart
Like a Buster Keaton skit as the agile @amyjane.blackhall and I installed 9 Evolution drawings in the gallery!! - Countdown to the opening of The Peter Randall-Page exhibition ‘A Little Bit of Infinity’ - exhibition opens this Sunday 20 Sept - 30 October and includes 10 new sculptures and 18 new drawings.- #ruleof6 #bookonline #peterrandallpage #rableygallery #drawing #britishsculpture #whatsonwiltshire #womenwithtools #girlpower
Like a Buster Keaton skit as the agile @amyjane.blackhall and I installed 9 Evolution drawings in the gallery!! - Countdown to the opening of The Peter Randall-Page exhibition ‘A Little Bit of Infinity’ - exhibition opens this Sunday 20 Sept - 30 October and includes 10 new sculptures and 18 new drawings.- #ruleof6 #bookonline #peterrandallpage #rableygallery #drawing #britishsculpture #whatsonwiltshire #womenwithtools #girlpower
One for your family portrait gallery!? - Natasha Michaels , Sister in Law. 2020. #rableygallery @londonoriginalprintfair relaunch online. Michaels monoprints question our perceptions of beauty and celebrity. Part old masters part cartoons the works hint at contemporary notions of importance and beauty such as celebrity, social media filters and cosmetic procedures and create painterly composites against flat indeterminate backgrounds. The sitters appear, to themselves as well as the viewer uncertain of their identity and context. Michaels process adds to this unstable mutant world. Beginning with the reversal of the original image. Gestural brushstrokes, slips and smears combined with the sharp boundaries of the cut alluminium plates reveal strange chimeras on the paper . Unsettlingly recognisable yet unfamiliar , they hover between high art and pop culture. Michaels makes multiple versions of each print constantly experimenting and adapting her approach as if engaged in a conversation with the original sitters and the emerging versions of themselves. #hellomagazine #royalacademy #dressingup #interiordesign #fragonard #printmaking
One for your family portrait gallery!? - Natasha Michaels , Sister in Law. 2020. #rableygallery @londonoriginalprintfair relaunch online. Michaels monoprints question our perceptions of beauty and celebrity. Part old masters part cartoons the works hint at contemporary notions of importance and beauty such as celebrity, social media filters and cosmetic procedures and create painterly composites against flat indeterminate backgrounds. The sitters appear, to themselves as well as the viewer uncertain of their identity and context. Michaels process adds to this unstable mutant world. Beginning with the reversal of the original image. Gestural brushstrokes, slips and smears combined with the sharp boundaries of the cut alluminium plates reveal strange chimeras on the paper . Unsettlingly recognisable yet unfamiliar , they hover between high art and pop culture. Michaels makes multiple versions of each print constantly experimenting and adapting her approach as if engaged in a conversation with the original sitters and the emerging versions of themselves. #hellomagazine #royalacademy #dressingup #interiordesign #fragonard #printmaking
RIP Terence Conran - this morning I placed this carved stone sculpture by #peterrandallpage on our #terenceconran oak burr table, enjoying the smooth carved stone with it’s maze pattern on the organic surface of the oak. Sitting with a cup of tea I have just learned that this great designer has died today. I hope he would have approved!.
RIP Terence Conran - this morning I placed this carved stone sculpture by #peterrandallpage on our #terenceconran oak burr table, enjoying the smooth carved stone with it’s maze pattern on the organic surface of the oak. Sitting with a cup of tea I have just learned that this great designer has died today. I hope he would have approved!.
Graham Sutherland’s exploration of insects is intriguing - they combine detail, invention and a sophisticated graphic pallet. It is revealing to be so close to a great artists’ process. New acquisitions #grahamsutherland #moderbritishart Graham Sutherland – Insect (Simulating Seeds) Medium: Lithograph Size: 50 x 65.5cm Edition of 70 Plus 10 Artist Proofs Published 1968 Graham Sutherland – Insect : Lithograph Size: 66 x 50cm Edition of 100 Plus 13 Artist Proofs Published 1963
Graham Sutherland’s exploration of insects is intriguing - they combine detail, invention and a sophisticated graphic pallet. It is revealing to be so close to a great artists’ process. New acquisitions #grahamsutherland #moderbritishart Graham Sutherland – Insect (Simulating Seeds) Medium: Lithograph Size: 50 x 65.5cm Edition of 70 Plus 10 Artist Proofs Published 1968 Graham Sutherland – Insect : Lithograph Size: 66 x 50cm Edition of 100 Plus 13 Artist Proofs Published 1963
Today was a very exciting day as we started to install our #PeterRandall-Page exhibition. Thankfully the sun was shining in the courtyard garden! A big thank you to Peter, Andrew, Angus and Dave! Peter Randall-Page, ‘A little Bit of Infinity’ , small sculpture and drawing  20 September–30 October 2020 DM me with your email address for details.#peterrandall-page #newsculpture #rableygallery #drawing #royalacademician #britishsculptor #peterrandallpage
Today was a very exciting day as we started to install our #PeterRandall-Page exhibition. Thankfully the sun was shining in the courtyard garden! A big thank you to Peter, Andrew, Angus and Dave! Peter Randall-Page, ‘A little Bit of Infinity’ , small sculpture and drawing  20 September–30 October 2020 DM me with your email address for details.#peterrandall-page #newsculpture #rableygallery #drawing #royalacademician #britishsculptor #peterrandallpage
These very beautiful sculptures by #richardjacksonglass and #sallyfawkesglass @jackson.fawkes reflect the landscape and the special evening light perfectly. #glasssculpture #handmade #sculpture @rableygallery - part of a beautiful relocation in preparation .... watch this space!
These very beautiful sculptures by #richardjacksonglass and #sallyfawkesglass @jackson.fawkes reflect the landscape and the special evening light perfectly. #glasssculpture #handmade #sculpture @rableygallery - part of a beautiful relocation in preparation .... watch this space!
GRAHAM SUTHERLAND Lithographs 1953–1968 New Acquisitions available from #rableygallery as part of the @londonoriginalprintfair Sept Launch. These works represent some of the most important prints he made during this era. Sutherland worked extensively in print, from romanticist etchings in the 1930’s to the surrealist works in the 1950’s and 60’s. Sutherland was a master of printmaking. His was technically skilled and able to transform his ideas into radical. Graham Sutherland, 1 Bird and Mouse, 1968 66x50cm Artist Proof 2 Ants,1968 66x49.5cm Artist Proof 3 Cauve Souris(Bats), 1967 66x55cm Artist Proof #grahamsutherland #ifpda #collectprints
GRAHAM SUTHERLAND Lithographs 1953–1968 New Acquisitions available from #rableygallery as part of the @londonoriginalprintfair Sept Launch. These works represent some of the most important prints he made during this era. Sutherland worked extensively in print, from romanticist etchings in the 1930’s to the surrealist works in the 1950’s and 60’s. Sutherland was a master of printmaking. His was technically skilled and able to transform his ideas into radical. Graham Sutherland, 1 Bird and Mouse, 1968 66x50cm Artist Proof 2 Ants,1968 66x49.5cm Artist Proof 3 Cauve Souris(Bats), 1967 66x55cm Artist Proof #grahamsutherland #ifpda #collectprints
GRAHAM SUTHERLAND Lithographs 1953–1968 New Acquisitions available from #rableygallery as part of the @londonoriginalprintfair Sept Launch. Sutherland worked extensively in print, from romanticist etchings in the 1930’s to the surrealist works in the 1950’s and 60’s. Sutherland was a master of printmaking. His was technically skilled and able to transform his ideas into radical graphic works. These works represent some of the most important prints he made during this era. Some are unique ‘signed’ proof states #ifpda #grahamsutherland
GRAHAM SUTHERLAND Lithographs 1953–1968 New Acquisitions available from #rableygallery as part of the @londonoriginalprintfair Sept Launch. Sutherland worked extensively in print, from romanticist etchings in the 1930’s to the surrealist works in the 1950’s and 60’s. Sutherland was a master of printmaking. His was technically skilled and able to transform his ideas into radical graphic works. These works represent some of the most important prints he made during this era. Some are unique ‘signed’ proof states #ifpda #grahamsutherland
EVOLVER September/October issue has arrived with a fab preview article on our forthcoming exhibition - Peter Randall-Page, ‘A little Bit of Infinity’ , small sculpture and drawing “Randall-Pages mark making language makes a universal connection with the intangible language of music, the recording of narrative in pictograms and the geometric patterning of nature... (in) his carving he draws an analogy with tuning a musical instrument” by @fionaprobinson (big thank you to @evolvermagazine and Fiona) and much more!Get out there and enjoy our fabulous arts! Book online to visit the exhibition www.rableygallery.com/visit-us between 20 September–30 October Pick up your copy of Evolver from @rableydrawingcentre @#whatsonwiltshire #peterrandall-page #newsculpture #cornishsepentine #drawing #royalacademician #britishsculptor
EVOLVER September/October issue has arrived with a fab preview article on our forthcoming exhibition - Peter Randall-Page, ‘A little Bit of Infinity’ , small sculpture and drawing “Randall-Pages mark making language makes a universal connection with the intangible language of music, the recording of narrative in pictograms and the geometric patterning of nature... (in) his carving he draws an analogy with tuning a musical instrument” by @fionaprobinson (big thank you to @evolvermagazine and Fiona) and much more!Get out there and enjoy our fabulous arts! Book online to visit the exhibition www.rableygallery.com/visit-us between 20 September–30 October Pick up your copy of Evolver from @rableydrawingcentre @#whatsonwiltshire #peterrandall-page #newsculpture #cornishsepentine #drawing #royalacademician #britishsculptor