Rabley Gallery is delighted to welcome Sarah Gillespie to it’s fold with meticulously detailed studies of moths, highlighting the diverse and mysterious beauty of these night creatures. From her mezzotint prints the shimmering moths emerge humming from the darkness. Read more in our new feature 🔼link in bio The Wessex Moth Collection by Sarah Gillespie available from #rableyprintshop #rableygallery ‘Hebrew Character” Mezzotint in an edition of 20 16” x 16” /400mm x 400mm (Paper size 18 ½” x 18 ½” / 470mm x470mm) Printed on Arches Moulin du Gue paper Date: 2019 #sarahgillespie #mezzotint #ifpda #ownart #collectprints #moths #biodiversity #wiltshire #wessex #homefarmminal #wildlife

We are delighted that the University of Warwick Art Collection has recently acquired Katherine Jones ‘Vanishing Land’ Katherine Jones The Vanishing Land 2010 Collagraph and block print 67 x 70.5 cms (Available from the Rabley Print Shop) The Vanishing Land, 2010 - a ghost-like house shape appears to float above the sea. It is one of a suite of four prints entitled 'Inside is Dry Land' made in response to reports of the effects of coastal erosion on coastlines bordering places such as Skipsea North Yorkshire where houses have collapsed along with the crumbling cliffs that supported them. As the sea steadily and continuously overtakes the land it throws up not only practical questions but also those of displacement and the fragility of belonging when the land which once underpinned the place an individual identifies as ‘home’ has disappeared. These works began to trace a broad interest in the relationship between man and the changing environment which has continued to inform the artist's work to date - the most recent of these iterations involving flora and fauna adapting to a warming world. #warwickuniversity #katherinejones #printmaking #artcollection #collectprints #rableygallery #ifpda #ownart #yorkshire #coastlines #rableyprintshop

Rebecca Salter, Weft 1 is made in a very small edition of 10. Salter hand prints multiple carved wood blocks onto both sides of the fine, handmade Japanese paper to create a work of unique depth of field in these abstract qualities. This handmade and printed paper is then carefully adhered to a more robust and stable western archival paper, loosing none of its unique surface qualities. Just two of this very special edition remain available. Rebecca Salter PRA Weft 1, 2015 Japanese woodcut 28 x 46cm Edition 10 £775 Japanese woodcut is a traditional water based method of printmaking using pigment and rice paste, hand burnished in layers from dampened woodblock. Salter has written publication about this unique craft. #rebeccasalter #abstractart #royalacademyofarts #japanesewoodblockprints #japaneseprints #rableygallery #collectprints #ifpda #ownart

#Repost @katherinejones_pp with @get_repost ・・・ Very proud and pleased that Katherine Jones ‘The Water Margin’ is now part of the Pallant House Gallery collection. The piece is part of a gift by the brilliant Mark Golder & Brian Thompson. ‘The Water Margin’ was made on a press that became part of an exhibition about its owner Julian Trevelyan at Pallant House Gallery in 2018. His wife Mary Fedden let me use his magical studio after graduating 2006-11. It was a haven on the edge of the river Thames to which this print refers and I feel very lucky to have known Mary who worked daily in her studio next door. Thank you @simonmartin_art @pallanthousegallery @merylainslie #golderthompsongift @rableygallery @katherinejones_pp . . ‘The Water Margin’ Collagraph and block-print on 300gsm Somerset Paper Image size 36 x36cm . Mary in her garden at Durham Wharf taken in 2009 . Paintings and objects in Mary’s studio 2009

When I looked closely at this print I saw, for the first time, the tiny figure behind the hybrid. Half-man, half bird, this creature pauses before leaping off a cliff face. Graham Sutherland: Studies For A Bestiary series of lithographs are so rich and inventive. Graham Sutherland – Hybrid. Medium: Lithograph Size: 52.5 x 45cm Edition of 70 Plus 10 Artist Proofs Published 1968 Sutherland worked extensively in print, from romanticist etchings in the 1930’s to the surrealist works in the 1950’s and 60’s. Sutherland was a master of printmaking. His was technically skilled and able to transform his ideas into radical graphic works. These works represent some of the most important prints he made during this era. Some are unique ‘signed’ proof states. All images are of the print that is available in its current state and framed. #grahamsutherland #collectprints #modernbritishart #1960sart #lithography #rableygallery #ifpda #ownart

The moonlight on the bergs, sky that echoes the cosmos and reflecting sea give me a sense of being part of the polar wilderness and the chill air. Emma Stibbon RA – Night Sea Ice (Antarctica) Medium: Intaglio Size: 50.2 x 62 Edition of 40 Published 2017 #antarctica #seaice #bergs #emmastibbon #printmaking #collectprints #ifpda

Ends today London Art Fair Edit We just added this new pastel Sara Lee Beckon II - check it’s out @londonartfair DM me for details 🔼link in bio Sara Lee Beckon II 102 x 66cm #RableyGallery #LAFEDIT #LAF21 #LondonArtFair #contemporaryart #modernart #londonart #artfair #printmaking #drawing #sculpture #ceramics #saralee #landscape

Final Weekend of the London Art Fair and we have just added this stunning new sculpture! Peter Randall-Page, A little Bit of Infinity Stone 13, 2021, Hand carved Cornish Serpentine, 24x16x14cm #peterrandallpage #RableyGallery #LAFEDIT #LAF21 #LondonArtFair #contemporaryart #contemporaryceramics #modernart #londonart #artfair #printmaking #drawing #sculpture #ceramics

‘High and Tipping’ we are proud to launch this new hand coloured print by Katherine Jones for the final weekend of the London Art Fair 21 This very special print with hand colouring is in a small edition of 10. It is a verdant mass of vegetation and dappled light. Katherine Jones ‘High and Tipping’ image size 58 x 82 cm paper size 74 x 96 cm Intaglio and hand colouring on 300gsm Somerset paper Edition of 10 DM me for detail 🔼link in bio A patch of earth holds the promise of growth and renewal. Bound between the space of an urban allotment and her studio, artist Katherine Jones has emerged with a new collection of images that touch on our primordial instincts. #gardens #RableyGallery #LAFEDIT #LAF21 #LondonArtFair #contemporaryart #contemporaryceramics #modernart #londonart #artfair #printmaking #drawing #sculpture #ceramics #ownart #IFPDA #katherinejones #plants #botanicalgardens