Made in 2014 while a fellow in printmaking at the City and Guilds of London Art school and recently editioned, this print began with thoughts on speaking and listenin Influences included Sylvia Plath’s, ‘The Bell Jar’, the science experiment of placing a ringing alarm clock inside a bell jar and gradually removing the oxygen until the sound is no longer audible and bees and the decrease in their numbers.
Katherine Jones makes distinctive images that are inhabited by plants, ordinary objects, spaces and buildings. Often the structures depicted are fragile or vulnerable, covered or transparent. Jones is a painter and a printmaker, her ideas are often exchanged between watercolour, etchings and collagraph prints. She builds layers, overlays marks and colour to create rich nuanced surfaces.
Her prints are included in major international collections including UK: The Victoria and Albert Museum; National Art library; The House of Lords; University College, London, Hospitals Art Collection; Government Art Collection; Royal Festival Hall; Winchester College; Eton College; Ashmolean Museum; University of Chichester Art Collection; University of Warwick Art Collection; Royal West of England Academy, Bristol. USA: Lafayette College, Boston Athenaeum, Wellesley Library, Swathmore College, PA, Yale University Library, CT. United Therapeutics Art Collection. China: Guangdong Museum.
Jones was brought up in Herefordshire, she studied at Cambridge School of Art, and MA Fine Art Printmaking at Camberwell College of Art,(1998-2001). She currently lives and works in Brixton. South London.
Enquiries – Katherine Jones RA complete works: [email protected]






