In Woodswoman, the female spirit, power and rebirth are depicted through the legend of a horsewoman, who is believed to haunt the ancient English Savernake Forest. The imagery and mythological references have evolved over time from Farley’s research into the depiction of ‘The Wild Woman’ in early Northern European engravings. The surface of the composition combines etching, linocut and monoprint in a rich mélange as it unites the artist’s own symbols and mythological interpretations.
The companion to this edition is ‘Woodwose’
For Lucy Farley, drawing from observation is key for the subject to evolve. As part of the explorative process. she combines printmaking and painting mediums, building up layers to reveal abstract forms. Places of historic interest, a landscape or townscape, often form the starting point for drawings. Events, history and mythology associated with place form the kernel of interest that evolves into motif. Farley is inspired by the British Neo–Romantics such as John Piper and Keith Vaughan, and the American Abstract Expressionists, specifically Richard Diebenkorn and Grace Hartigan.
Farley is of Danish and British heritage. She trained at the Royal College of Art. Her work has been acquired into the following collections: (London, UK) The Victoria and Albert Museum; The Royal College of Art; Guy’s and St Thomas Foundation; (UK) Pallant House Gallery, Chichester.
THIS PRINT IS PART OF THE FOLIO 25 SET
Folio 25 comprises sixteen fine art prints by sixteen
UK–based artists. Eight sheets are in portrait format,
38 x 28 cm (15” x 11”) and eight sheets are in
landscape format, 28 x 38 cm (11” x 15”).
There are multiple sizes of graphic blocks
and plates, and a selection of different papers, with six
images printed to the edge of the sheet.
Each print has a limited edition of twenty. Ten of each
edition form part of complete folio sets (all sixteen
prints) and ten are available as individual prints. 10%
of each edition is marked AP, one of each edition is
marked HC and another PP
LINK TO FOLIO 25 SET

Emma Stibbon RA - Polar Regions: Arctic Valley, Norway
Emma Stibbon RA - Polar Regions: Ice Shelf, Svalbard
Katherine Jones RA - Sleepy Eyes
Molly Martin - Drifting Apart
Katherine Jones - Gently Scalloped Edge
Emma Stibbon RA - Volcanoes: Blast
Emma Stibbon RA - Polar Regions: Petit Dru
Nana Shiomi - Green Tea Bowl
Emma Stibbon RA - Volcanoes: Shattered Cone
Katherine Jones RA - Golden Mallow
Emma Stibbon RA - Volcanoes: Eldfell Heimaey (White House)
Sarah Gillespie - Grey Arches
Lucy Farley - Window to the Woods
Katherine Jones RA - Dust to Pigment - Night
Katherine Jones RA - Wishes of Others
Lucy Farley - September in Denmark
Emma Stibbon RA - Polar Regions: Ice Tongue
Sarah Gillespie - Shimmer
Sarah Gillespie - Nut-tree Tussock Moth
Sarah Gillespie - White Ermine Moth
Nana Shiomi - Decorated Tea Bowl
Natasha Michaels - Sprung
Molly Martin - Bed Bugs
Sarah Gillespie - Antler Moth
Nana Shiomi - His Own Interpretation
Sarah Gillespie - All that I have is a River
Sarah Gillespie - Blood-vein Moth
Lucy Farley - Savernake Waxing Moon
Paul Furneaux - Rain Salutation: Green
Nana Shiomi - Beyond the Ptolemaic Theory, Beyond the Copernican Theory.
Eileen Cooper RA - Songbird
Katherine Jones RA - A Trap Crop
Katherine Jones - A Fertile Pride
Natasha Michaels - Young Woman With Dog, Proxy
The View, I will see it Yesterday - Nana Shiomi - Woodcuts 2016 – 2024 





