The copperplate from which this print is made is cut in an arch, and perfectly counter balances the distal scalloped and hairy wing edge. It is so finely drawn and engraved that is sculpted in light as if it has gently landed on the rich black velvet ground. This is a black that only the old and difficult printmaking process of mezzotint can achieve.
About Sarah Gillespie
Sarah Gillespie was born in Winchester in 1963. She studied 16th & 17th century methods and materials at the Atelier Neo-Medici in Paris and then read Fine Art at Pembroke College, Oxford (BFA Ruskin School of Drawing & Fine Art). On leaving She was awarded the Elizabeth Greenshield Foundation International Award for figurative art and has had a successful career as a painter. In 2016 she was elected a member of the Royal West of England Academy. Sarah Gillespie makes mezzotint prints, an old, slow and painstaking method that produces unique velvet blacks and soft tones. Her work encourages us to refocus our gaze toward the everyday and the overlooked; moths, blackbirds and winter-suns.
Her work is held in public and private collections including: Victoria and Albert Museum, London; National Portrait Gallery; LondonVictoria Gallery Bath; Government Offices for the South West, UK; Royal West of England Academy; Sharpham Trust; Chatsworth House; Museum of Fine Arts, Yekaterinburg, Russia.