Nana Shiomi – The View, I will see it Yesterday (Book Print 1)

The Book­­

The View, I will see it Yesterday, Nana Shiomi, Woodcuts 2016 – 2024

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Book­­–Print 1

Nana Shiomi

‘The View, I will see it Yesterday’

Handprinted water-based woodcut

Printed on 90 gsm Echizen Han-Kusa

Image size: 17 x 36 cm / Paper size: 22 x 40 cm

Edition 40

Immerse yourself in Nana Shiomi’s rich blend of cultural exchange between her native Japan and European influences, combined with her artistic innovation and personal storytelling. The View, I Will See It Yesterday, Nana Shiomi, Woodcuts 2016 – 2024 is being published in conjunction with her two upcoming solo exhibitions. The book is fully illustrated with images of the artist’s woodcut prints made between 2016 and 2024, accompanied by vivid narratives for each piece, penned by the artist herself.

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Pre publication offer ends 24 November 2024

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Each of the two multiple plate woodcut print is published by Nana Shiomi and Rabley Gallery in an edition of 40. Each print is on a loose sheet of Japanese paper and comes with a signed copy of the publication:

The View, I will see it Yesterday, Nana Shiomi, Woodcuts 2016 – 2024 42pp, 233 x 210mm, fully illustrated, with print description texts, biography. ISBN 978-1-8381684-3-8

EXHIBITIONS

NANA SHIOMI ‘The View, I will see it Yesterday ‘– Woodcut Prints 2016 – 2024

RABLEY GALLERY
9 November – 13 December 2024

WOOLWICH CONTEMPORARY PRINT FAIR, LONDON

NANA SHIOMI: ‘Me and the Universe– Woodcut Prints 1996 – 2024

RABLEY GALLERY, Booth 27
20 – 24 November 2024
A special solo presentation of Nana Shiomi’s celebrating 38 year of iconic woodcuts including rare early works to new publications.

ABOUT THE ARTIST

Nana Shiomi makes contemporary woodcut prints. After a period of examining Western art, Shiomi moved on to consider her own Japanese culture within her prints. Shiomi makes reference to masterpieces from the Japanese ukiyo-e tradition in her own work. She often employs a stage within the composition of her images to present ideas. Her printing approach can be described technically as a combination of relief/intaglio and water-based woodcut printmaking. It is rooted in the traditional methods of Japanese ukiyo-e woodblock, printmaking by hand with a Baren, to which she has added her own experimental printing techniques.

Shiomi’s work is held in public collections including her epic cycle of 100 Prints ‘One Hundred Views Of Mitate’ at the Victoria & Albert Museum, London; The Ashmolean Museum, Oxford. Royal College of Art Collection; Pallant House Gallery. Chichester; Wimbledon School of Art Collection; Brunel University, Middlesex; Oriental Museum, Durham; Aberystwyth University, Wales; The Johnson Museum, Cornell University Collection, USA; Tama Art University, Tokyo.

Born in Osaka, Japan in 1956, Shiomi studied oil painting and printmaking at the Tama Art University (BA, MA), Tokyo, and in 1989 – 1991 MA Printmaking at the Royal College of Art, London. She has been living and working in London since 1989.

Rabley Gallery and Nana Shiomi co-published “This Side and the Other Side, Nana Shiomi Woodcuts 1996 – 2016, ISBN 978-0-9926817-4-6. A monograph on the artist’s prints is available from the gallery.