IFPDA Fine Art Print Fair 2022

IFPDA Fine Art Print Fair 2022

October 27 – 30, 2022

Javits Convention Center, New York, United States

This autumn, the International Fine Print Dealers Association returns to the Javits Centre in New York for its 29th edition of the preeminent fair for prints and printmaking. In 2022, Rabley Gallery is delighted to be making its first visit to the IFPDA Fair.

We are launching ‘Folio 22’, a major publication by twelve British artists of new limited edition fine art prints. This grouping of diverse works is available as a set or as individual prints. It is held together by a modest scale and our making ethos, where the hand-made and the artist’s visual voice are of primary importance. Here Rabley Gallery represents the very best of British printmaking with a dash of Japanese.

Alongside Folio 22, our curated booth features larger works by newly elected Royal Academician Katherine Jones RA, Sarah Gillespie, Nana Shiomi, Emma Stibbon RA and Lucy Farley.

Please contact us for information about ticketing and more details.

Email:  [email protected]

Tel:  +44 (0)1672 511999

Rabley Gallery presents Folio 22:


Folio 22 includes twelve featured artists including Royal Academicians, established names and new, emerging talent. Each print is of similar scale, 28 x 38cm, and as one collection, the publication features contributions by:

Prudence Ainslie

Ian Chamberlain

Lucy Farley

Katherine Jones RA

Natasha Michaels

Emma Stibbon RA


Neil Bousfield

Eileen Cooper RA

Sarah Gillespie

Sara Lee

Nana Shiomi

Sadie Tierney

View works from folio 22

Special New Publications for the IFPDA Fine Art Print Fair 2022:

Sarah Gillespie – Coot. Mezzotint, 91 x 61 cm, Edition 20, 2022.

‘Coot’ is a mezzotint by Sarah Gillespie, engraved over the winter of 2021/22. It is the latest in a series of images inspired by Southern British wetlands. This image of a small, isolated bird in the reeds possesses a special quality of tone and light and took four and a half months to engrave before printing. It is made using mezzotint, one of the oldest and most difficult printmaking techniques where the image emerges from a burnished copper plate. The subject has a universal resonance of calm and is a celebration of nature.

Nana Shiomi – Not Mourning, But Morning Glory – WHITE (L) + INDIGO (R). Woodcut (in the ukiyo-e tradition), 78 x 75 cm, Edition 30, 2022.

In a new pair of powerful woodcuts by Nana Shiomi, she pays tribute to her late father, her Japanese heritage and life’s cycle. Each of ‘Not Mourning, but Morning Glory’– Indigo and White, feature single Morning Glory flowers, a subject reminiscent of Georgia O’Keeffe. The artist uses bold colour and  traditional Japanese techniques with a contemporary edge.

Lucy Farley – The Passing. Stone Lithograph and collage, 35.5 x 41.5 cm, Edition 4, 2022.

Lucy Farley – Dusk at the Hollybush, Hamstead. Stone Lithograph and collage, 26 x 30.5 cm, Edition 8, 2022.

We are pleased to introduce Lucy Farley. A young painter and printmaker trained at the prestigious Royal College of Art. Influenced by the British surrealist movement of the mid 20th Century, her work explores mythological cultures and their relationship to nature. Recently her work has been acquired by the Victoria and Albert Museum and the Pallant House Gallery, Chichester.

Special Artist Features

Katherine Jones RA – Blossom. Collagraph and block print, 72.00 x 74.00 cm, Edition 25, 2020.

Katherine Jones RA – Time Held Me Green. Collagraph and block print, 72.00 x 74.00 cm, Edition 25, 2020.

Katherine Jones RA presents works of verdant splendour from her latest series of collagraph prints; The Iron in the Earth. Bound between the space of an urban allotment and her studio, Jones has emerged with a collection of images that touch on our primordial instincts to nurture in order to thrive. Katherine Jones was recently elected as the youngest female Royal Academician, a huge accolade and tribute to her abilities as a rising star of the printmaking world.

Emma Stibbon RA – Road to Death Valley. Intaglio, 54 x 68.3 cm, Edition 35, 2020.

Emma Stibbon RA is interested in landscapes that are in the process of dramatic change. Her recent prints ‘Road to Death Valley’ and ‘Mojave Desert Night’ emerge from her time as artist-in-residence in Death Valley for National Parks Arts Foundation in the extreme mid-west of America. This was an informative experience the artist describes as “putting a perspective on my existence and remains imprinted on my memory.” Stibbon has made many epic expeditions, from the Arctic to the Antarctic, establishing herself as one of the formative landscape artists of this generation, holding a mirror to nature and man’s activity in a vulnerable world.

Established in 1987, the IFPDA is the world’s preeminent organisation for fine art prints with 150+ members vetted for the highest level of quality, value, and professionalism.

The IFPDA Fine Art Print Fair, held annually in New York City, is the largest and most celebrated art fair dedicated to the artistic medium of printmaking.

view works in online print shop


Medium: Stone Lithograph and Collage 35.5 x 41.5 cm 2022 Edition of 4.


Medium: Stone Lithograph and Collage 37.00 x 32.00 cm 2022 Edition of 4.


Medium: Stone Lithograph and Collage 2022 26 x 30.5 cm Edition of 8.


Medium: Mezzotint

Size: 50.5 x 50.5 cms (19.88 x 19.88 ins) 

Edition of 30

Published 2021


Medium: Mezzotint

Size: 61 x 91.50 cms (24.02 x 36.02 ins)

Edition of 20

Published 2021



Medium: Mezzotint Printed on Arches Moulin du Gué. Size: 91 x 61 cm Edition 20. 2022.


Medium: Collagraph and block-print

Size: paper 72 x 74cm, block 61 x 63cm

Edition of 25

Published 2020


Medium: Collagraph and block print

Size: 72 x 74cm, Block 64x 63cm

Edition of 25

Published 2020


Medium: Collagraph and hand colouring

Size: 74 x 96cm

Edition of 10

Published 2021


2022 Japanese Woodcut (in the ukiyo-e tradition) Image size: 60 x 60cm / Paper size: 78 x 76cm, Edition 30


2022 Japanese Woodcut (in the ukiyo-e tradition) Image size: 60 x 60cm / Paper size: 78 x 76cm, Edition 30


Medium: Woodcut

Size: Paper 74 x 103cm

Edition of 30

Published 2021


Medium: Woodcut

Size: Paper 74 x 103cm

Edition of 30

Published 2021


Medium: Intaglio

Size: 63 x 95 cm

Edition of 35

Published 2021

Exhibited Royal Academy Summer Exhibition 2021


Medium: Intaglio

Size: 54 x 68.3 cms (21.26 x 26.89 ins)

Edition of 35


Complete Folio 22 set. All works can be purchased as individual prints. All prices are subject to change without notice and are subject to availability. Tax included where applicable. All prices are for unframed prints and include free delivery on the UK mainland.


Rabley Drawing Centre

Marlborough, Wiltshire, SN8 2LW

T +44 (0)1672 511999

[email protected]

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