ABOUT THIS ARTWORK
The two prints ‘IRORI – SHINRIN’ and ‘IRORI – SORA’ were made when Prudence Ainslie studied in Japan on the Mokuhanga Innovation Laboratory (MI-LAB) Artist-in-Residence Program in April 2022.
“Each body of work I create is typically underpinned by the exploration of a new place—creating imagery that interprets the experience of being in an unfamiliar environment. So, it made sense that during the residency, I would be influenced by more than just the technique I was learning. During my time in Lake tranquillity Kawaguchi, I was struck by the of the landscape and wanted to capture the stillness it brought to my life at the time. In the IRORI series, I reimagine a traditional Japanese living space, creating enclosed environments where the area typically reserved for the hearth becomes a window into the outside world”
ABOUT THE ARTIST
Prudence Ainslie is primarily a printmaker. She documents places with the intention of re-analysing the act of seeing. For her the viewing experience is absorbed through process and the re-working of multiple media – By folding, layering, and abstracting to create subtle illusions and construct tangible worlds that allude to the original space. There is an interrogation of the fluctuation between the reading of the two-dimensional and three-dimensional.
Her images often bring together the traditional 20th century woodcut and contemporary digital printing methods, exploiting the subtle layering of contrasting print media.
LINK TO MORE INFORMATION AND ARTISTS BIOGRAPHY

Prudence Ainslie - IRORI - SHINRIN (sunken hearth forest) 


