Katherine Jones RA – Collagraphs 2010-2022

Katherine Jones RA – Collagraphs 2010 – 2022

21 September – 21 October 2022

We are delighted to celebrate the election of Katherine Jones to the Royal Academy of Arts in 2022 with an ‘Artist in Focus’ selection of prints in the gallery looking back to her early career as a printmaker, and taking in more recent projects.

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A comprehensive catalogue of more than 60 prints by Katherine Jones are available. Please request an illustrated price list.

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catalogue - katherine jones collagraphs 2010 - 2022

The Iron in the Earth: 2020 - 2021

Katherine Jones – Homage Piece, 2020. Collagraph and block print on paper, 100 x 73 cm, Edition Variable 25.

Paying homage to Katherine’s artistic and locational influences, particularly the work of Prunella Clough, Elizabeth Frink and Georgia O’Keeffe.

Katherine Jones – High and Tipping, 2020. Collagraph and Block print on paper, 74 x 96 cm, Edition 15.

A patch of earth holds the promise of growth and renewal. High and Tipping by Katherine Jones is drawn directly from the artist’s allotment onto mount board and printed in vivd colour. Retaining spontaneity, it refers to the closing days of July where the plants begin to tip after a long summer month. This original work on paper has recently been donated to the Pallant House Gallery permanent Print Collection.

Katherine Jones – Blossom, 2020.

Collagraph and block print on paper, 72 x 74cm, Edition 25.

Katherine Jones – Time Held Me Green, 2020.

Collagraph and block print on paper, 72 x 74cm, Edition 25.

The Precious hours, 2017 - 2018

Words by Fiona Robinson, 2018

There are quiet obsessions, undercurrents, that run through the work and practice of printmaker Katherine Jones: line, vulnerability, connections with the written word, time. She is a deeply serious artist, making work in which illusive ideas shimmer on the surface and in the depths of her luminous prints.

The Precious Hours is the culmination of a year-long residency at Rabley Drawing Centre near Marlborough. Jones has dipped in and out of the location gathering information, absorbing the landscape, the structure of buildings and the changes in the weather. She has also had access to larger presses than she has at her London studio, which has allowed her to make big work. It has been a hugely fruitful time. She has been enveloped in the beautiful Wiltshire landscape, experienced life on a working farm, and has benefitted enormously from the nurturing atmosphere and support of the Director of Rabley, Meryl Ainslie.