Image: Sadie Tierney, ‘Pines Under Moon’, Edition Variable 3/15 (left) 1/15 (right), Woodcut, 56 x 38 cm

PINES UNDER THE MOON

26 November – 19 December 2026

A Rabley Gallery exhibition at

155A Gallery, Lordship Lane, East Dulwich, London SE22 8HX

Private View on Wednesday 2 December, 6–8pm

Finissage on Saturday 19 December, 11–3pm

Gallery Open Thursday – Saturday 11am–5pm and by appointment

Enquiries [email protected]

Whatsapp/Telephone 07967545136

Rabley Gallery returns with a stellar gathering of artists to exhibit ‘Pines Under the Moon’ at 155a Lordship Lane in London during November and December.

Sadie TIERNEY, Emma STIBBON, Nana SHIOMI, Natasha MICHAELS, Molly MARTIN, Sara LEE, Katherine JONES, Sarah GILLESPIE, Lucy FARLEY, Eileen COOPER, Prudence AINSLIE

Affordable framed, folio and unframed including limited edition prints will be available by all artists.

Sarah Gillespie ‘Pine Speaks to Cloud’, Silverpoint on prepared paper, 66 x 86 cm, Framed size 71.5 x 87cm, Prepared single sheet of Arches (HP), Walnut frame with moon gold leaf on the facing edge.

Sadie Tierney ‘Pines Under the Moon’ woodcut prints combine the colour of sunsets on snow. Japanese artist Nana Shiomi reveals a glimpse beyond the interior in ‘The View, I will see it Yesterday’ and ‘A Room on the Other Shore -Moon’ and Prudence Ainslie IRORI – SHINRIN (sunken hearth – forest)‬, gently nestles the forest and sky within her interiors.

The delicate silver lines in Sarah Gillespie ‘Cloud Speaks to Pine’ and the velvety blackness of her new mezzotint ‘Breton Pine’ strike her trees into a luminous silhouette. Sara Lee ‘Night Shimmer’, in delicate pastel, is a moonlit walk on the South Downs and Eileen Cooper ‘Shooting Stars’ takes us constellation gazing. In Emma Stibbon ‘Evening Light Bergs’ the moon glimmers on the sea.

Lucy Farley surrounds us with trees and fjords in ‘Window to the woods’ and Natasha Michaels evokes the tree spirit Daphne in ‘Myth II’. For Katherine Jones there is all but a ‘Hum at Night’, while Molly Martin cossets us with the warmth of ‘Night Bugs’.

‘Viewing the Moon under a Pine Tree’, After Ma Yuan (Chinese, active ca. 1190–1225), Southern Song dynasty (1127–1279), early 13th century, China. Album leaf; ink and colour on silk, 25.4 x 25.4 cm; Met Museum, New York.

‘Pines under the Moon’ pays homage to traditional East Asian artistic masterpieces, such as the early 13th-century Southern Song dynasty painting ‘Viewing the Moon under a Pine Tree’ or Utagawa Hiroshige’s famous ukiyo-e woodblock print ‘Moon Pine, Ueno’ from One Hundred Famous Views of Edo.

If you haven’t already, go and see the excellent Hokusai exhibition at Dulwich Picture Gallery, ‘Hokusai: Thirty-six Views of Mount Fuji from the Iuchi Collection’ from 20 Oct 2026 — 17 Jan 2027.

‘…the complete series of one of the most celebrated image cycles in art history, inviting visitors to experience Mount Fuji as Hokusai saw it nearly two centuries ago.’

more info

COLLECT

Nana Shiomi, woodcut of wave and moon with screen frame

Nana Shiomi – A Room on the Other Shore – Moon

Woodcut, Paper 76 x 108 cm, Rare signed Artist's Proof, Edition 30, Published 2003

Prudence Ainslie – IRORI – SHINRIN (sunken hearth forest)‬‬‬

Japanese Woodblock, Printed on 60gsm Nishinouchchi natural, Paper 32cm x 26 cm, Block 20.7 x 16.8cm, Edition 10, 2022

Sarah Gillespie – Breton Pine

Mezzotint, Paper 51.5 x 50 cm, Plate 40 x 40cm, Edition 30, Unframed

Sara Lee – Chalk Line – Night Shimmer

Pastel on Paper, 47 x 38 cm, 2026

Eileen Cooper RA – Shooting Stars

Pastel, charcoal, gouache and ink on paper, 56 x 76 cm, Framed

Emma Stibbon RA – Evening Light Bergs

Intaglio, 37 x 66.5 cm, Edition 30, Published 2016

Natasha Michaels – Myth II (EV2/2)

Hand-finished Monotype with collage, Ink on BFK Rives paper, Mounted on linen canvas on a wooden frame, 92 x 66 cm, 2026

Limited edition print by Lucy Farley of a semi abstracted wooded landscape in blue and ochre

Lucy Farley – Window to the Woods

Hand-Painted Photopolymer Etching and Chine Collé on Somerset Paper, Image 41 x 59 cm, Paper 57 x 75 cm, Printed @argentoeditions, Hand finished by the artist, Edition 20, Published 2025