Peter Randall-Page RA
Artworks
Peter Randall-Page RA
A Little Bit of Infinity D Deconsigned 16.2.22
Date: 2020
Medium: Concertina book, ink on Khadi paper
Size: 16 x 86 x 6 cm (6.30 x 33.86 x 2.36 ins)
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Peter Randall-Page RA
A Little Bit of Infinity E -DECONSIGNED TO PRP 16.2.22
Date: 2020
Medium: Concertina book, ink on Khadi paper
Size: 16 x 86 x 6 cm (6.30 x 33.86 x 2.36 ins)
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Peter Randall-Page RA
A Little Bit of Infinity Serpentine I _ Stone 11
Date: 2021
Medium: Hand-carved Cornish Serpentine
Size: 21 x 17 x 14 cm
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Peter Randall-Page RA
A Little Bit of Infinity Serpentine_ stone 13
Date: 2021
Medium: Hand-carved Cornish Serpentine
Size: 24.00 x 16.00 x 14.00 cm
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Peter Randall-Page RA
A Little Bit of Infinity VI
Date: 2021
Medium: Hand-carved Cornish Serpentine
Size: 25.00 x 14.50 x 17.50 cm
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Peter Randall-Page RA
A Little Bit of Infinity _ Stone 1 DECONSIGNED 26/8/21
Date: 2020
Medium: Hand-carved Cornish Serpentine
Size: 10 x 7 x 5 cms (3.94 x 2.76 x 1.97 ins)
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Peter Randall-Page RA
A Little Bit of Infinity _ Stone 3
Date: 2020
Medium: Hand-carved Cornish Serpentine
Size: 8 x 11 x 6 cm (3.15 x 4.33 x 2.36 ins)
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Peter Randall-Page RA
A Little Bit of Infinity _ Stone 4
Date: 2020
Medium: Hand-carved Cornish Serpentine
Size: 6 x 16 x 12 cm (2.36 x 6.30 x 4.72 ins)
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Peter Randall-Page RA
A Little Bit of Infinity _ Stone 5
Date: 2020
Medium: Hand-carved Granite
Size: 9 x 22 x 16 cm (3.54 x 8.66 x 6.30 ins)
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Peter Randall-Page RA
A Little Bit of Infinity _ Stone 6
Date: 2020
Medium: Hand-carved Granite
Size: 14.50 x 14.5 x 13.2 cm (5.71 x 5.71 x 5.20 ins)
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Peter Randall-Page RA
A Little Bit of Infinity _ Stone 7
Date: 2020
Medium: Hand-carved Cornish Serpentine
Size: 14.5 x 11.5 x 8 cm (5.71 x 4.53 x 3.15 ins)
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Peter Randall-Page RA
A Little Bit of Infinity _ Stone 8
Date: 2020
Medium: Hand-carved Cornish Serpentine
Size: 11 x 14.5 x 11.5 cm (4.33 x 5.71 x 4.53 ins)
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Peter Randall-Page RA
A Little Bit of Infinity _ Stone 10
Date: 2020
Medium: Hand-carved Cornish Serpentine
Size: 13.5 x 13 x 6.4 cm (5.31 x 5.12 x 2.52 ins)
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Peter Randall-Page RA
Evolution 11 DECONSIGNED TO PRP 16.2.22
Date: 2020
Medium: Ink on Khadi paper, over 4 sheets
Size: 51 x 83 cm
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Peter Randall-Page RA
Evolution 13 DECONSIGNED TO PRP 16.2.22
Date: 2020
Medium: Ink on Khadi paper, over 4 sheets
Size: 51 x 83 cm
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Peter Randall-Page RA
Evolution 14 deconsigned RA 2021
Date: 2020
Medium: Ink on Khadi paper, over 4 sheets
Size: 51 x 83 cm
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Peter Randall-Page RA
Evolution 17 -DECONSIGNED TO PRP 16.2.22
Date: 2020
Medium: Ink on Khadi paper, over 4 sheets
Size: 51 x 83 cm
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Peter Randall-Page RA
Evolution 9 DECONSIGNED TO PRP 16.2.22
Date: 2020
Medium: Ink on Khadi paper, over 4 sheets
Size: 51 x 83 cm
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Peter Randall-Page RA
Little Nut Tree Seed 4/4
Date: 2002
Medium: Silver
Size: 14.5 x 17.5 x 12.00 cm (5.71 x 6.89 x 4.72 ins)
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Peter Randall-Page RA
Lunula III
Date: 2022
Medium: Carved pebble stone
Size: 12 x 27.00 x 22.50 cm
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Peter Randall-Page RA
Mind over Matter
Date: 2013
Medium: Granite
Size: 46 x 76 x 57.7 cm (18.11 x 29.92 x 22.72 ins)
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Peter Randall-Page RA
Stone Maquette IX -DECONSIGNED 8/2/22 Pangolin
Date: 2018
Medium: Purbeck Limestone
Size: 11 x 20 x 12 cm
£10,000.00
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Peter Randall-Page RA
Stone Maquette VIII -DECONSIGNED 8/2/22 Pangolin
Date: 2018
Medium: Carved Green Pebble Stone
Size: 19 x 41.5 x 15.5 cms
£15,000.00
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Peter Randall-Page RA
Twixt Line and Form
Date: 2013
Medium: Granite
Size: 3 Stones: 30x60x57./60x54x50./41x56x48cm
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Peter Randall-Page RA
A Little Bit of Infinity _ Stone 2
Date: 2020
Medium: Hand-carved Serpentine Granite
Size: 7 x 9 x 5 cm (2.76 x 3.54 x 1.97 ins)
£SOLD
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‘An endless line traversing a boundless surface is like ‘A little bit of infinity’. PRP
During the spring and early summer of 2020 Peter Randall-Page escaped to a cabin in the woods near his home. Using only hand tools he carved each small sculpture with a continuous line, dividing the surface of a stone into two ‘territories’. This tactile, linear exploration is carried onto new drawings. Ink takes to the textured surface of the handmade Indian paper, bleeding and spreading in folded and multiple sheet works.
An Illustrated Catalogue accompanies this exhibition with an essay by Philip Ball, author of many popular books on science, including works on the nature of water, pattern formation in the natural world, colour in art and the science of social and political philosophy.
‘The lines appear to bisect their plane, but not as a scalpel does: they partition it with no pretence at economy. They meander like rivers carving up the landscape – you’re always on one side or the other, but stick a pin, blindfold, into the map and there’s no telling which side it will be”